遗失的世界
斯诺克英国公开赛资格赛:丁俊晖赢赛季首秀 中国军团9连胜_我的网站

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B | 其中中国台球“一哥”丁俊晖以4:2战胜“95后”奥利弗·莱恩斯,赢得了其赛季首秀。

Chinese researchers have obtained the first absolute dates for rock paintings at the Mangguan rock art site in Southwest China's Yunnan Province, pushing the known history of rock art created by prehistoric settled communities in the region back to about 4,220 years ago. The paintings also suggest cultural interactions more than 4,000 years ago between Southwest China and civilizations along the Yellow and Yangtze rivers, as well as possible exchanges with neighboring parts of Southeast Asia, including present-day Myanmar, Thailand and Vietnam, a member of the research team told the Global Times.
The Yunnan Provincial Institute of Cultural Relics and Archaeology, in collaboration with Nanjing Normal University and other institutions, have recently made a significant archaeological breakthrough. Through systematic surveys and uranium-thorium (U-Th) dating at the Mangguan site in Gengma county, the research team obtained the first absolute dates for the site's rock paintings, tracing rock art created by prehistoric settled communities back to around 4,220 years ago.
The findings were recently published in the international journal Journal of Archaeological Science: Reports.
The Mangguan rock paintings represent one of the best-preserved prehistoric rock art sites in Yunnan. The research team presented high precision U Th dating of carbonate accretions that stratigraphically overlie the painted motifs at the Mangguan site, according to the paper published in the journal.
The dating results show that carbonate deposits overlying a human figure yielded a corrected age of 4,240 ± 19 years before present, confirming that ancient people living in the region had already produced mature figurative art at least 4,220 years ago, Wu Yun, first author of the paper and an associate researcher at the Yunnan Provincial Institute of Cultural Relics and Archaeology, was cited by the Xinhua News Agency report as saying.
Dating results from 11 samples taken from different motifs clustered between about 3,907 and 3,056 years ago. By comparison, the Cangyuan cliff paintings had previously been dated to roughly 3,800 to 2,700 years ago. The Mangguan paintings are therefore significantly older, filling an important chronological gap in the region's artistic record before the Cangyuan phase.
Shao Qingfeng, corresponding author of the paper and a professor at the School of Geography at Nanjing Normal University, told the Global Times that previous estimates dated the Mangguan rock paintings to a little over 3,000 years ago based mainly on imagery and comparisons with similar regional sites. Using microsamples of secondary carbonate deposits overlying the paintings, researchers have now obtained a precise minimum age of about 4,220 years before present without damaging the rock art.
The findings and the establishment of this chronological framework not only strengthen the archaeological foundation for studying rock art in Southwest China, but also provide a direct reference for rock art sites across Southeast Asia that have yet to undergo systematic dating, Shao said.
The findings may also challenge long-held perceptions of Southwest China around 4,200 years ago - roughly the era of the Xia Dynasty (c.2070 BC-C.1600 BC) - and help fill a key gap in understanding the pluralistic yet integrated development of Chinese civilization.
Shao said that while academic research has traditionally focused on the Yellow River and Yangtze River basins as cradles of early Chinese civilization, sites such as Mangguan and Cangyuan show that stable and culturally active communities also thrived in mountainous Southwest China. The newly established rock-art chronology brings an artistic dimension to the broader narrative of China's enduring cultural development.
Moreover, stylistic similarities suggest that Southwest China maintained exchanges with the Yellow River and Yangtze River regions and with early societies in Southeast Asia, providing material evidence of cross-regional interaction more than 4,000 years ago.
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C | 自今年四月在斯诺克世锦赛正赛上遭遇“一轮游”后,丁俊晖返回国内,接连缺席了2022-2023赛季的前两场比赛(冠军联赛和欧洲大师赛资格赛),此番出战英国公开赛资格赛是其新赛季的首次亮相。丁俊晖此次的对手是子承父业的英国小将小莱恩斯。此役开始,状态不错的丁俊晖迅速进入状态,前两局以2:0领先。随后莱恩斯连下两城,以2:2追平比分。关键时刻,丁俊晖显示出实力和经验上的优势,接连打出单杆81分和128分的好成绩,以98:0、133:0连续两局零封对手,最终以大比分4:2在赢得新赛季首秀的同时,也成功晋级英国公开赛正赛(正赛将于当地时间9月26日至10月2日举行)。作为中国台球的领军人物和世界斯诺克领域曾经的“80后”翘楚,丁俊晖近几年状态低迷。在2019年英锦赛上获得第14个排名赛冠军后,近3年来不仅无缘在排名赛中再次登顶,且多次在不同赛事中早早出局,世界排名已掉至第34位。

D | 因此,球迷们也期待丁俊晖能在新赛季重振旗鼓,打破久违的冠军荒,赢得第15个、乃至更多的排名赛冠军。

E | 在本次资格赛第二日的其它赛事中,另3名出战的中国选手也均传出捷报——刚在冠军联赛中跻身决赛的鲁宁以4:3绝杀塞尔特;“80后”老将田鹏飞在0:1落后的被动局面下,以4:2击败克雷吉;少年成名的吕昊天以4:1淘汰老将马克·金。至此,在本次资格赛前两日出战的9名中国选手全员晋级正赛。资格赛第三日,又有3名中国选手登场亮相,他们是梁文博、袁思俊、吴安仪。其中最受关注的当属另一名中国台球老将、继丁俊晖和中国香港名将傅家俊后第三位获得排名赛冠军的中国球员梁文博。因“殴打女性事件”,梁文博被世台联禁赛至今年8月1日,英国公开赛成为其解禁复出的首场赛事。在日前进行的热身训练中,梁文博状态爆棚,打出单杆147分,其在新赛季首秀的表现同样备受关注和期待。

F | 2022年英国公开赛资格赛于当地时间8月9日至14日进行,采取7战4胜制,所有参赛球员都将进行一轮资格赛,胜者进入正赛。

G | 中国军团共有28人参赛,再创参加排名赛人数的新高。(完)
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